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非虚构日记

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  • 片名:非虚构日记
  • 状态:正片
  • 主演:未知
  • 导演:鄭潤錫/
  • 年份:2014
  • 地区:韩国
  • 类型:纪录/记录/
  • 时长:内详
  • 上映:2014-07-17
  • 语言:韩语
  • 更新:2024-03-02 19:12
  • 简介:90년대한국사회를뒤흔든그러나지금은잊혀진지존파사건을되짚으면서우리사회를들여보게하는영화.지존파에서출발해성수대교붕괴,삼풍백화점붕괴,5.18주모자처벌문제등으로유연하게흘러가는영화는픽션보다더픽션같은논픽션이야기를품은한국사회를‘기록’한다.WhathappenedinKoreansocietyinthe1990s?ThefilmstartswiththeJijon-pa(SupremeGangsters)case.Theshockingstoryisnarratedthroughthediscussionbythetwodetectiveswhoarrestedthegangsters,ofdetailsoftheroundup,datascreens,andthedeathsentence.Nevertheless,NonfictionDiary’sfocusisnotonthecrimestory.StartingfromJijon-paonwards,thefilmreflectsonthe1990s,whenKoreadigressedintocontemporaryhistory.TheSeongsuBridgeandtheSampoongDepartmentStore’scollapsesarerecalled,followedbythethen-government’spunishmentoftheMay18Uprisingleaders,revealingtheKoreanlegalsystem’sdeathpenaltystatus,touchingonpoliticalandpowerissues.Theaudienceisremindedthattoday,2013,isanextensionofthatsameflow.DirectorJungYoonsuk’sNon-fictionDiary“records”therecordsbysummoningforgottenincidents,utilizinginterviewsandthemedia’sdatascreens.Thisrecordisa“report”oncontemporarysocietyaswellasa“recordoftheremembrance”.(HONGHyosook)18thBusanInternationalFilmFestivalDocumentaryCompetitiobbb
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90년대한국사회를뒤흔든그러나지금은잊혀진지존파사건을되짚으면서우리사회를들여보게하는영화.지존파에서출발해성수대교붕괴,삼풍백화점붕괴,5.18주모자처벌문제등으로유연하게흘러가는영화는픽션보다더픽션같은논픽션이야기를품은한국사회를‘기록’한다.WhathappenedinKoreansocietyinthe1990s?ThefilmstartswiththeJijon-pa(SupremeGangsters)case.Theshockingstoryisnarratedthroughthediscussionbythetwodetectiveswhoarrestedthegangsters,ofdetailsoftheroundup,datascreens,andthedeathsentence.Nevertheless,NonfictionDiary’sfocusisnotonthecrimestory.StartingfromJijon-paonwards,thefilmreflectsonthe1990s,whenKoreadigressedintocontemporaryhistory.TheSeongsuBridgeandtheSampoongDepartmentStore’scollapsesarerecalled,followedbythethen-government’spunishmentoftheMay18Uprisingleaders,revealingtheKoreanlegalsystem’sdeathpenaltystatus,touchingonpoliticalandpowerissues.Theaudienceisremindedthattoday,2013,isanextensionofthatsameflow.DirectorJungYoonsuk’sNon-fictionDiary“records”therecordsbysummoningforgottenincidents,utilizinginterviewsandthemedia’sdatascreens.Thisrecordisa“report”oncontemporarysocietyaswellasa“recordoftheremembrance”.(HONGHyosook)18thBusanInternationalFilmFestivalDocumentaryCompetitiobbb

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